Elizabeth Atnafu, Untitled, 1989
22 1/2 x 30 1/2 in, Collage

Romare Bearden, Falling Star, 1980
29 x 22 in., Lithograph, signed and numbered

Romare Bearden, Morning, 1979
21.5 x 28.25 in, Lithograph, signed and numbered AP

Romare Bearden, Pilate, 1979
21 7/8 x 15 in., Lithograph, signed and numbered

Romare Bearden, Tropical Flowers, 1972
15.55 x 21.06 in., Lithograph, signed and numbered

Romare Bearden, The Lantern, 1979
29 x 22.5 in., Lithograph, signed and numbered

Frederick Brown, Alberta Hunter, 1999
37 1/2 x 31 1/2 in, Silkscreen, Ed. of 99, signed

Ed Clark, Untitled, 1989
22 1/2 x 30 in., Silkscreen, AP, signed

Ernest Crichlow, Street Princess, 1982
40.5 x 26.5 in., Lithograph, signed and numbered

Melvin Edwards, For the Brave Young Students in Soweto, 1984
30 x 22.5 in., Monotype (oil) with poem by Jayne Cortez in pen, blue ink/Rives BFK paper, signed and dated

Sam Francis, Bright Jade Ghost, Variant III, 1963
24 13/16 x 35 11/16 in., Lithograph in colours

Sam Francis, Untitled, 1979
60 x 60 in, Lithograph in colour

Sam Gilliam, An Installation I, 1981
30 x 40 in., lithograph, signed and numbered

Jill Greenberg, Trillions, 2006
50 x 42 in., Gelatin silver print

Stanley William Hayter, Araignée, 1967
14.5 x 12.5 in., Color lithograph

Lyle Ashton Harris, Untitled (New York Times Self Portrait Commission), 2000
44 1/8 x 33 1/16 in., Pigmented inkjet print, Ed. of 10

Richard Hunt, Untitled, 1980
30 x 22 1/4 in., Limited edition lithograph in colour on woven paper, signed and numbered

William H. Johnson, Untitled (Street in Cagnes-sur-Mer), 1928
28 x 23 1/8 in., Oil on canvas

John Paul Jones, Man in the Blue, 1963
30 x 22 in., Oil on paper

John Paul Jones, Untitled (Head), 1961
11 x 10.5 in., Charcoal and pastel, signed

John Paul Jones, Untitled (Portrait of a Girl), 1960
22.25 x 30 in., Watercolor and ink on arches, signed

Chris Jordan, Circuit Board #2, from the series “Intolerable Beauty: Portraits of American Mass Consumption”, 2005
44 x 57 in., Pigment ink jet, diasec mounted

Chris Jordan, Welcome to the New Louis Armstrong School, Ninth Ward Neighborhood, from the series "In Katrina's Wake: Portraits of Loss from an Unnatural Disaster", 2005
20 x 25 in., Pigment ink jet, diasec mounted

Edward and Nancy Kienholz, The Same Old Shoe, 1983
10.50 x 9.50 x 16.75 in., Sculpture consisting of overnight luggage bag old wood shoe last, light bulb, T.V. antenna

Willem de Kooning, Seventeen Lithographs for Frank O'Hara, 1988
Set 1: 27 x 23 in. and Set 2: 14 x 11 in., Two complete set of 17 lithographs hors-texte, on hand-made Japanese Yame paper chine collé to handmade Twinrocker paper, with full margins.

Jacob Lawrence, Builders No. 3, 1978
36.5 x 28.25 in., Serigraph, signed and numbered

Jacob Lawrence, Eight Passages, 1990
26 x 40 in., 8 color screenprints chine-collé on St. Armand paper,  full margins, loose as issued

Jacob Lawrence, Confrontation at the Bridge, 1975
28 3/4 × 35 in., Colour screenprint on Strathmore paper, signed, titled, and numbered

Jacob Lawrence, The Opener, 1997
22 x 32 in., Lithograph, signed and numbered

Rico Lebrun, The Crucifixion, 1957
31.88 x 46.46 in., Watercolor, gouache and colour oil sticks on paper, signed

Rico Lebrun, Untitled (Turtle), 1963
31 x 41 in., Oil on board, signed

Jane Logemann, 3 - Part III, 1976
22 1/4 x 15 in., Color pencil on paper, signed

Richard Mayhew, Mercy Blues, 1990
22 x 30 in, Etching, Ed. of 50, signed

Tamara Melcher, Untitled, 1967
21.5 x 28.25 in, Oil on canvas

Jay Milder, Untitled, 1993
20 x 24 1/2 in, Pastel on paper, signed

Jay Milder, Untitled, 1993
20 x 26 in, Pastel on paper, signed

Jay Milder, Untitled, 1994
20 x 26 in, Pastel on paper, signed

Jay Milder, Untitled, 1996
28.5 x 22.5 in, Collage, signed

Jay Milder, Untitled, 1996
20 x 24 in, Collage, signed

Lee Mullican, Three Figures, 1983
17 x 14 in., Oil and oil pastel on paper

John Outterbridge, Untitled, 1960
30 x 40 in., Oil on Canvas, signed

Bill Pajaud, New Orleans Junction, 1988
20 1/2 x 30 1/2 in, Silkscreen, Ed. of 35, signed

René Peña, Untitled, 2009
24 x 31 in., Light jet print, numbered

Jon Pylypchuk, Untitled, 2000
72 x 96 in., oil and mixed media, signed

Robert Rauschenberg, Change, 1982
30 1/2 x 26 1/2 in., Paper and fabric collage with mirror and gold leaf, signed and numbered

Robert Rauschenberg, Samarkand Stitches #IV, 1988
61 x 40 in., Fabric assemblage with screen printing

Richards Ruben, Entrance, 1963
60 x 60 in., Oil on canvas

Edwin Ruda, Blake's Eye, 1967
26 1/4 x 31 1/2 in., Acrylic on canvas
Ed. of 75, signed

Sean Scully, #1, 1992
19 x 22 in., Aquatint on paper, Hors d'commerce ed. of 3, signed

Elizabeth Sunday, Abstract Family, 1987
16 1/2 x 12 1/2 in., Gelatin silver print, Ed. of 35, signed

Elizabeth Sunday, Cocoon, from the series Africa V: The Dogon, Mali - West Africa, 2001
24 1/2 x 20 1/2 in., Gelatin silver print with gold toning
Ed. of 35, signed

Elizabeth Sunday, Curls (The Zurich Garden Switzerland, negative 3, print 1997), 1985
24 x 20 in., Gelatin silver print with gold toning
Ed. of 35, signed

Bob Thompson, Untitled, 1960s
10 x 6 1/2 in., Gouache

Timothy Washington, 1A, 1972
18 in. in diameter, Mixed media

Timothy Washington, Creation, 2016
54 x 54 in., Acrylic and gold

Timothy Washington, Old and New, 2012
36 x 30 in., Mixed media

Timothy Washington, Untitled, 2016
61.25 x 43.25 in., Collage with acrylic

Neil Williams, Untitled, 1966
17 x 22 in, Media crayon drawing on paper, signed

Ralph White, Force Presence, Red, 1969
49 x 49 in., oil on canvas, signed

Emerson Woelffer, White Mirror on Black Hand, 1963
30 x 24 in., Oil on canvas

Myron Wood, Miss O'Keefe, 1980
17 x 14 in., Silver gelatin print, signed an numbered

Myron Wood, Mobile by Alexander Calder, 1980
17 x 14 in., Silver gelatin print, signed and numbered

Domingo Zapata, Save Me Bond, 2000
40 x 30 in., acrylic on canvas, signed